
When hubby and I commute together (either to and from work, or for the past seven weeks, to and from the NICU), we always have NPR on. Hubby’s a fan, and I will tune in now and again when there’s a story that causes my ears to perk up. Usually, though, I have my nose buried deep in a book and I don’t hear a word of the radio programs, prompting many conversations that go like this:
Hubby makes a joke or comment that’s related to the radio story that’s playing. Thirty seconds to a minute of silence go by. I say: “Huh? What? I’m sorry; I wasn’t paying attention.”
Thing is, when I’m into a book – I mean, really into it – I actually don’t hear what’s going on around me. Seriously, World War III could break out right in front of me and I’d be oblivious. I call it “reading-induced deafness.” Then on one recent trip to the NICU, a story came on that actually made me put down my book, sit up and take notice: a woman was talking about getting so absorbed in her reading that “I really think the house could possibly burn down around me and I wouldn’t notice.” Well hello there, soulmate.
The speaker was one Natalie Phillips, a professor of 18th- and 19th-century literature who came up with an idea to study the theme of distractability in Jane Austen’s novels. This project snowballed into a study of the neurological effects of “close reading” (similar to “deep attention reading” that I’ve talked about before) as opposed to “browsing” (described as the type of reading you’d do while standing and flipping through a selection in a bookstore). I’ll let you read the details of the story for yourself, but it basically boils down to this: the subjects showed greater activity, over a range of areas of the brain, when doing the “close reading” than they did when “browsing.” And my favorite part:
“Phillips found that close reading activated unexpected areas: parts of the brain that are involved in movement and touch. It was as though readers were physically placing themselves within the story as they analyzed it.”
How cool! Do you ever feel like you know the characters in your favorite books? Or like you’ve been there and experienced the story with them? Felt the cold winds whipping along the moors in Wuthering Heights or Jane Eyre, for example, or the soft warm sunshine along Lover’s Lane in Anne of Green Gables, for example? Well, maybe – and the story was careful to stress that the results are preliminary – it’s because you actually have been there, because your mind is even more adept at creating the place and experiencing the sensations of a book than we ever realized. I love that! Books are so much more than just words on a page – they’re friends, experiences. (Man, how I wish I could see a map of the brain all lit up while a reader is deep into a book. Would that not be the coolest?)
I’ve always thought it was a bit of a personal character flaw quirk of mine that I fail to pay attention to my surroundings when I’m really into something I’m reading. But apparently I’m not alone (yay) and I’m not checked out of reality or incredibly self-involved (double yay) – I’m in the midst of some hardcore brain calisthenics! Professor Natalie Phillips, you have made my day. Now, could you please call my mother and tell her that I’m actually not an airhead? kthanksbye.
Read the article for yourself, and then tell me – are you one of those people who gets so absorbed in a book that you could sit in a burning house and not notice?

(



















One Writer’s Beginnings – While many readers find their introduction to Eudora Welty through her short stories, it all starts here for me. Welty recounts her childhood and how she learned to write in three chapters: Listening, Learning to See, and Finding My Voice. Welty’s life was not particularly dramatic. She didn’t go through the “school of hard knocks” the way many people believe a writer must in order to be great. I think this is her strength; she lived an ordinary life, surrounded by a loving and supportive family, and from that she learned to find great beauty and drama in everyday things.
A Curtain of Green – This was Welty’s first of many collections of short stories. The book explores race relations in Mississippi, but in a subtle and kind light. And race isn’t the driving force behind Welty’s writing; rather, she focuses on the people who live in her South and the beauty and challenges they face in their lives.
The Optimist’s Daughter – This novel won Welty the Pulitzer Prize, and it’s probably her masterpiece. Laurel Hand travels to the bedside of her father, an aging Judge who is about to undergo eye surgery. As she attends her father, Laurel must also deal with the Judge’s much-younger second wife, Fay. When the Judge dies, Laurel and Fay travel back to Laurel’s childhood home, where Fay antagonizes the neighbors and Laurel learns that Fay lied about her family. Laurel must learn to view Fay with compassion, and to confront her own memories as she cleans out the house. It’s a soft book, gentle, but searing.
Delta Wedding – This is a lesser-known novel, and The Optimist’s Daughter tends to steal all the glory, but Delta Wedding is my favorite Welty novel. The story is told through the eyes of nine-year-old Laura, who is traveling back to the Mississippi Delta to visit a family plantation on the eve of her cousin Dabney Fairchild’s wedding. It’s not a plot-driven novel, but one focused on characters and setting, which is right up my alley. I find myself thinking of the Fairchilds, who loved to linger at the table long after dinner, whenever conversation at my own table stretches on through tea and coffee and beyond.